Odia
ମୋତେ ସପ୍ନ ଦେଖିବାକୁ ମନା ନାହିଁ
Intimate Odia lyric song with restrained Odissi inflections
1 audio · 1 video
ମୋତେ ସପ୍ନ ଦେଖିବାକୁ ମନା ନାହିଁ
Creativity has always been part of my life—in the organisations I shape, the software I build, the poems I write, and the spaces I create. This Odia poem from my college years is now finding its melody, and new voices across languages.

Listen where a song has begun. Help another language find its voice.
ମୋତେ ସପ୍ନ ଦେଖିବାକୁ ମନା ନାହିଁ
Intimate Odia lyric song with restrained Odissi inflections
1 audio · 1 video
I Am Free to Dream
Contemporary Nashville country-folk
2 audio · 2 video
கனவு காண எனக்குத் தடையில்லை
Tamil mellisai-inspired acoustic lyric song
2 audio · 2 video
కలలు కనడానికి నాకు అడ్డులేదు
Calm Telugu indie-folk with speech-led melody and restrained Carnatic colour
1 audio · 1 video
Malaya Akong Mangarap
Musical direction awaiting listening review
1 audio · 1 video
ମତେ ସପନ୍ ଦେଖ୍ବାକେ ମନା ନାଇଁ
Tender western-Odisha folk ballad with a restrained regional pulse
1 audio · 1 video
স্বপ্ন দেখতে আমার মানা নেই
Modern Bengali poetic folk ballad with bhatiyali-inspired space
1 audio · 1 video
मुझे सपने देखने की मनाही नहीं
Contemporary Hindi geet with light-classical warmth
Recording to come
സ്വപ്നം കാണാൻ എനിക്ക് വിലക്കില്ല
Malayalam light-music ballad with idakka dialogue
1 audio · 1 video
ಕನಸು ಕಾಣಲು ನನಗೆ ತಡೆಯಿಲ್ಲ
Bhavageethe-inspired contemporary poetry setting
Recording to come
स्वप्नं पाहायला मला मनाई नाही
Intimate Marathi bhavgeet
Recording to come
सपना देखे के मनाही नइखे
Tender Purabi folk ballad with kajri-inspired rain imagery
Recording to come
मन्नै सपने देखण की मनाही कोन्या
Soft Haryanvi folk-geet with ragini-informed directness
Recording to come
મને સપનાં જોવાની મનાઈ નથી
Gujarati sugam sangeet with an intimate chamber arrangement
Recording to come
ਮੈਨੂੰ ਸੁਪਨੇ ਵੇਖਣ ਦੀ ਮਨਾਹੀ ਨਹੀਂ
Tender Punjabi folk-geet with an open vocal line
Recording to come
সপোন দেখাত মোৰ বাধা নাই
Modern Assamese lyric song with a restrained western-Assam folk influence
Recording to come
خواب دیکھنا منع نہیں
Sung nazm with ghazal-informed intimacy
Recording to come
म्हाका सपनां पळोवपाक मनाय ना
Goan mando-inspired contemporary love ballad
Recording to come
सपना देखबाक मनाही नहि अछि
Literary Maithili folk-geet with a close domestic scale
Recording to come
मलाई सपना देख्न मनाही छैन
Nepali contemporary folk ballad with sarangi storytelling
Recording to come
مون کي خواب ڏسڻ جي منع ناهي
Sindhi kafi-informed secular poem-setting
Recording to come
मिगी सपने दिक्खने दी मनाही नेईं
Dogri lyric song with a spare bhaakh-inspired vocal response
Recording to come
स्वप्नान् द्रष्टुं न मे निषेधः
Luminous Sanskrit chamber song with spacious Dhrupad-informed resonance
Recording to come
I Am Free to Dream — Kashmiri adaptation brief
Contemporary Kashmiri poetic chamber ballad
Recording to come
I Am Free to Dream — Manipuri (Meitei) adaptation brief
Meitei narrative song with voice and pena in dialogue
Recording to come
I Am Free to Dream — Bodo adaptation brief
Bodo contemporary folk ballad with sifung and serja
Recording to come
I Am Free to Dream — Santali adaptation brief
Santali contemporary folk song with bowed banam and a shared refrain
Recording to come
I Am Free to Dream — Marwari adaptation brief
Maand-informed Marwari love ballad
Recording to come
I Am Free to Dream — Tulu adaptation brief
Contemporary Tulu lyric song with work-song-inspired response
Recording to come
I Am Free to Dream — Khasi adaptation brief
Khasi acoustic ballad centred on duitara
Recording to come
I Am Free to Dream — Mizo adaptation brief
Lengzem zai-inspired contemporary acoustic love song
Recording to come
I Am Free to Dream — Garhwali adaptation brief
Garhwali love-dialogue-inspired mountain ballad
Recording to come
I Am Free to Dream — Kumaoni adaptation brief
Spacious Kumaoni solo-call ballad
Recording to come
I Am Free to Dream — Magahi adaptation brief
Intimate Magahi courtyard folk-geet
Recording to come
I Am Free to Dream — Chhattisgarhi adaptation brief
Dadaria-inspired contemporary lyrical folk song
Recording to come
I Am Free to Dream — Awadhi adaptation brief
Awadhi lyrical lok-geet with gentle Purab colour
Recording to come
I Am Free to Dream — Gondi adaptation brief
Contemporary Gondi narrative song with a carefully scoped Pardhan reference
Recording to come
I Am Free to Dream — Ho adaptation brief
Ho contemporary folk song with a small communal refrain
Recording to come
I Am Free to Dream — Braj Bhasha adaptation brief
Braj lyrical folk song with restrained rasiya-inspired exchange
Recording to come
I Am Free to Dream — Bundeli adaptation brief
Bundeli lyrical folk ballad with stanza-and-refrain storytelling
Recording to come
I Am Free to Dream — Angika adaptation brief
Angika intimate oral-song setting with a gently rocking refrain
Recording to come
I Am Free to Dream — Khortha adaptation brief
Khortha nature-centred folk-geet with a quiet circling pulse
Recording to come
I Am Free to Dream — Nagpuri / Sadri adaptation brief
Nagpuri geet with a restrained jhumar lift
Recording to come
I Am Free to Dream — Bhili — variety to be selected adaptation brief
Bhili community-led lyrical folk song with an open refrain
Recording to come
I Am Free to Dream — Kurukh adaptation brief
Kurukh lyrical song with a gentle drum-and-voice conversation
Recording to come
I Am Free to Dream — Ahirani adaptation brief
Ahirani labour-and-life-inspired lyrical song
Recording to come
I Am Free to Dream — Lambadi / Banjara adaptation brief
Lambadi lyrical song with a gentle communal response
Recording to come
I Am Free to Dream — Kangri adaptation brief
Kangri intimate narrative ballad with a late answering voice
Recording to come
I Am Free to Dream — Ladakhi adaptation brief
Secular Ladakhi lyrical chamber song with spacious vocal phrases
Recording to come
I Am Free to Dream — Garo adaptation brief
Garo acoustic lyric song with bamboo-string colour
Recording to come
I Am Free to Dream — Kokborok adaptation brief
Kokborok lyrical love song with plucked-and-bowed dialogue
Recording to come
I Am Free to Dream — Mising adaptation brief
Mising contemporary love song with Oi Nitom inspiration
Recording to come
I Am Free to Dream — Ao adaptation brief
Ao contemporary acoustic song growing from solo to shared voice
Recording to come
I Am Free to Dream — Kutchi adaptation brief
Kutchi lyrical ballad with flute-and-bowed-string dialogue
Recording to come
I Am Free to Dream — Malvi adaptation brief
Malvi lyrical storytelling with a restrained maach-informed exchange
Recording to come
I Am Free to Dream — Mewari adaptation brief
Mewari lyrical folk song with a gentle circular refrain
Recording to come
I Am Free to Dream — Bagheli adaptation brief
Bagheli nature-centred lyric song with a spacious rain refrain
Recording to come
I Am Free to Dream — Mundari adaptation brief
Mundari lyrical song with an intimate solo and shared refrain
Recording to come
I Am Free to Dream — Karbi adaptation brief
Karbi contemporary lyric song with pongsi-and-cheng colour
Recording to come
I Am Free to Dream — Lepcha adaptation brief
Lepcha flute-led chamber song with patient vocal space
Recording to come
I Am Free to Dream — Kodava adaptation brief
Kodava contemporary narrative lyric with measured vocal responses
Recording to come
I Am Free to Dream — Badaga adaptation brief
Badaga contemporary acoustic lyric with a gradual shared vocal ending
Recording to come
I Am Free to Dream — Kui adaptation brief
Kui intimate narrative folk song with an unhurried communal response
Recording to come
I Am Free to Dream — Adi adaptation brief
Adi contemporary narrative song with a gradually shared refrain
Recording to come
I Am Free to Dream — Nyishi adaptation brief
Nyishi contemporary lyric with speech-led verses and a walking pulse
Recording to come
I Am Free to Dream — Galo adaptation brief
Galo contemporary lyric with a recurring vocal motif
Recording to come
I Am Free to Dream — Apatani adaptation brief
Apatani contemporary chamber lyric with long narrative lines
Recording to come
I Am Free to Dream — Tenyidie adaptation brief
Tenyidie intimate vocal song with a late shared response
Recording to come
I Am Free to Dream — Tangkhul adaptation brief
Tangkhul contemporary melodic ballad with an answering instrumental line
Recording to come
I Am Free to Dream — Dimasa adaptation brief
Dimasa contemporary lyric with restrained khram and muri colour
Recording to come
I Am Free to Dream — Rabha adaptation brief
Rabha contemporary folk lyric with kham-and-brangshi dialogue
Recording to come
I Am Free to Dream — Chakma adaptation brief
Chakma contemporary narrative love song with a soft returning motif
Recording to come
I Am Free to Dream — Rajbanshi adaptation brief
Rajbanshi poetic folk ballad with restrained bhawaiya-inspired warmth
Recording to come
I Am Free to Dream — Sikkimese Bhutia adaptation brief
Sikkimese Bhutia secular chamber lyric with a measured plucked refrain
Recording to come
I Am Free to Dream — Limbu adaptation brief
Limbu contemporary love lyric with palam-informed vocal dialogue
Recording to come
I Am Free to Dream — Gojri adaptation brief
Gojri intimate narrative ballad with a welcoming refrain
Recording to come
I Am Free to Dream — Halbi adaptation brief
Halbi contemporary lyric with a compact refrain and gentle shared pulse
Recording to come
I Am Free to Dream — Saurashtra adaptation brief
Saurashtra lyrical chamber song with restrained Carnatic colour
Recording to come
I Am Free to Dream — Warli adaptation brief
Warli contemporary lyric with a restrained tarpa-inspired instrumental return
Recording to come
I Am Free to Dream — Car Nicobarese adaptation brief
Car Nicobarese contemporary acoustic love song with a shared vocal ending
Recording to come
I Am Free to Dream — Jeseri / Dweep Bhasha adaptation brief
Jeseri contemporary lyric with an Oppana-informed lead-and-response idea
Recording to come
I Am Free to Dream — Mahl adaptation brief
Minicoy Mahl contemporary ballad with a patient recurring pulse
Recording to come
I Am Free to Dream — Kurmali adaptation brief
Kurmali Jhumur-informed lyric with a circling refrain
Recording to come
I Am Free to Dream — Surjapuri adaptation brief
Surjapuri contemporary conversational ballad with open phrase endings
Recording to come
I Am Free to Dream — Nimadi adaptation brief
Nimadi contemporary storytelling lyric with an intimate shared refrain
Recording to come
我有做梦的自由
Contemporary Mandarin poetic ballad
Recording to come
Soy libre de soñar
Latin American acoustic bolero-inspired ballad
Recording to come
لي أن أحلم
Oud-led Arabic chamber song
Recording to come
Libre de rêver
Intimate French chanson
Recording to come
Sou livre para sonhar
Brazilian bossa nova-inspired acoustic ballad
Recording to come
I Am Free to Dream — Sora / Saora adaptation brief
Sora contemporary lyric with a work-song-informed shared pulse
Recording to come
I Am Free to Dream — Kuvi adaptation brief
Kuvi contemporary lyric with free verses and a gently returning invitation
Recording to come
I Am Free to Dream — Koya adaptation brief
Koya contemporary folk lyric with a restrained drum-and-response design
Recording to come
I Am Free to Dream — Korku adaptation brief
Korku contemporary love lyric with a light dance-song-informed refrain
Recording to come
I Am Free to Dream — Kharia adaptation brief
Kharia contemporary poetic song with a refrain shaped by complete sentences
Recording to come
I Am Free to Dream — Pnar adaptation brief
Pnar contemporary lyric with a returning duitara figure
Recording to come
I Am Free to Dream — Sumi adaptation brief
Sumi contemporary vocal ballad with a shared refrain that grows gradually
Recording to come
I Am Free to Dream — Lotha adaptation brief
Lotha contemporary lyric with a work-song-informed rhythmic exchange
Recording to come
I Am Free to Dream — Konyak adaptation brief
Konyak contemporary narrative ballad with a compact returning vocal motif
Recording to come
I Am Free to Dream — Balti adaptation brief
Balti contemporary poetic chamber song with spacious melodic replies
Recording to come
Niko Huru Kuota Ndoto
Zanzibar taarab-inspired acoustic song
Recording to come
Sono libero di sognare
Intimate Italian acoustic cantautore ballad
1 audio · 1 video
I’ve always nurtured creativity in whatever I do. Shaping an organisation, building software, writing a poem or creating a space all come from the same impulse: to give an idea a form that people can experience.
A space can speak its own language. I’ve tried to make my office a place that makes people happy. Poetry reaches people in another way, carrying feelings that can bring us closer.
This poem began in Odia during my college years, before 1993. I later shared my writing on Ahimanikya Kabita Prusta. With help from AI, the poem has found a new form in music and video. This page invites you to bring your language, your voice and your care to it—so the feeling can travel further.

Let the afternoon wait.
Ahimanikya SatapathyFor poets, musicians and filmmakers: explore the words, cultural choices and production notes. Adapt the poem in your own way, with credit and care. The shared baseline leaves room for every language to find its voice.
Explore the open reference →“free to weave your dreams with mine.”
From the English adaptation of I Am Free to Dream
Bring the language you call home. Offer a phrase that feels more natural, share a listening note, or sing the poem in your own way. We’ll shape each version together, with care and credit for every contribution.

A face turned toward light, holding the silence of time.
Ahimanikya Satapathy